AUTUMN CONCERT
SUNDAY, 18 SEPTEMBER 2022
20:15 h
HET CONCERTGEBOUW
KLEINE ZAAL
AMSTERDAM

AUTUMN CONCERT
SUNDAY
18 SEPTEMBER, 20:15 h

HET CONCERTGEBOUW
KLEINE ZAAL

Pearls in Baroque

Autumn Concert with
Vivaldi’s Four Seasons

Sunday, 18 September 2022
20:15 h
Concertgebouw, Kleine zaal

The programme consists of a world famous violin concert by Vivaldi, a relatively unknown cembalo concert by Goldberg and the Concert for cembalo and viola in C major by Michael Haydn.

Last minute discounts

Enter the promotional code when ordering and receive € 10 discount on your ticket(s).

Tickets for €35 instead of €45

DISCOUNT CODE: PB220918KO

A discount of €30 applies to students.
Tickets for €15 instead of €45

DISCOUNT CODE: PB220918ST

FOR TICKETS

Antonio Vivaldi: Le Quattro Stagioni
The Four Seasons by Antonio Vivaldi (1678-1741) hardly needs introduction. He wrote this piece in 1725 as a part of a series of twelve violin concerts. The excellent baroque violinist Ryo Terakado will play the solo parts accompanied by the Pearls in Baroque Chamber Orchestra. For the special occasion of this concert, Noriko Amano – cembalist and artistic leader of Pearls in Baroque – scrupulously assembled the orchestra consisting of top baroque musicians.

Johan Gottlieb Goldberg: Klavecimbelconcert in d-klein
The name Goldberg immediately brings to mind the Goldberg Variations by J.S. Bach. Less well known is that Johann Gottlieb Goldberg (1727-1756) was Bach’s (last) student and himself a very talented composer. Unfortunately, he died young at the age of 29 in the birth year of W.A. Mozart. Noriko Amano plays Goldberg’s Cembalo Concert in d minor written in 1750, the year of death of Bach. In a way this piece is foreshadowing the composition style of Mozart.

Michael Haydn: Concert for cembalo and viola in C major
Johann Michael Haydn (1737-1806) was a younger brother of Joseph Haydn and an intimate friend of Mozart. Haydn’s Requiem of 1771 influenced Mozart’s own famous Requiem of 1791. The Concert for cembalo and viola in C major is an early work composed around 1760. The combination of cembalo and viola is very rare, but the instruments match surprisingly well.